SUNDAY editions
SUNDAY # 001 (november 29th 2009)
MARK LUYTEN
Rhetorics (The Studio 1995 − 2009), offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2009
please contact gallery for price
SUNDAY # 002 (january 17th 2010)
FRANCOIS CURLET
Sunday Morning, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
please contact gallery for price
SUNDAY # 003 (march 14th 2010)
SOPHIE NYS
Exhibition, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
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SUNDAY # 004 (may 23rd 2010)
DENICOLAI & PROVOOST
Times, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
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SUNDAY # 005 (july 18th 2010)
WILLEM OOREBEEK
after blackout (la grasse matinée), offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
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SUNDAY # 006 (september 26th 2010)
DORA GARCIA
men I love, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
please contact gallery for price
SUNDAY # 007 (november 21st 2010)
INAKI BONILLAS
Tineidae: Sermones del ilustrísimo señor, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
please contact gallery for price
SUNDAY # 008 (december 19th 2010)
MAURIZIO NANNUCCI
Art is not intended, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
SOLD OUT
ART IS NOT INTENDED TO
BE PERFECTLY TRANSPA
RENT IN MEANING / IT IS
A DISCONTINUOUS INTE
RACTION BETWEEN MAN
AND THE ENVIRONMENT
/ A GAME BETWEEN ORD
ER AND DISORDER / OPP
OSITION BETWEEN LIMIT
S AND TRANSGRESSION
/
AN EXCHANGE BETWEEN
CENTER AND PERIPHERY
/
WHERE IMAGES ARE RE
PLACED BY NEW FORMS
OF LANGUAGE
SUNDAY # 009 (march 13th 2011)
LIAM GILLICK
Social centre in the centre, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
please contact gallery for price
|
By making the abstract concrete, art no longer retains any abstract quality, It merely announces... |
A constant striving for a state of abstraction and in turn produces more abstraction to pursue... |
|
It is this failure of the abstract that lures and hypnotises – forcing itself onto artists and demanding repeated attention.. |
The abstract draws artists towards itself as a semi-autonomous zone just out of reach...
|
|
It produces the illusion of a series of havens and places that might reduce the contingent everyday to a sequence of distant inconveniences... |
It is the concretization of the abstract into a series of failed forms that lures the artist into repeated attempts to “create” the abstract... |
|
Fully aware that this very act produces things that are the representation of impossibilities...
|
The abstract is a realm of denial and deferment – a continual reminder that varied acts of art have taken place and the authors were probably artists. |
AGLAIA KONRAD
SUNDAY # 010 (june 5th 2011)
-en bloc, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
please contact gallery for price
Marmor
Stein &
Eisen
bricht
JONATHAN MONK
SUNDAY # 011 (august 28th 2011)
& opened by you, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
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sealed & stamped by Amélie Laplanche
at MOREpublishers, Boulevard Adolphe Max 144 – 1B
1000 Brussels, Belgium
& opened by you
& signed & numbered by Jonathan Monk
using a Black BIC M10 clic Ball Pen
& printed on multi-offset 120 gram paper by Oswald Deckmyn
using NOVAVIT F100 K+E on a Heidelberg Speedmaster CD 72 x 102
at Guido Maes printing Deluxe, Frans Uyttenhovestraat 51
9040 Ghent, Belgium
& folded by Geert Dutré using a Heidelberg Stahlfolder TH 82
at Guido Maes printing Deluxe, Frans Uyttenhovestraat 51
9040 Ghent, Belgium
& posted to you by Tim Ryckaert
from Brussels De Broeckere, Boulevard Anspach 1
1000 Brussels, Belgium
Néant, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
€ 70,-
MARIJKE WARMERDAM
SUNDAY # 013 (december 4th 2011)
Gestreken en gevouwen, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2011
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JOCHEN LEMPERT
SUNDAY # 014 (february 12th 2012)
Untitled, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
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PIERRE BISMUTH
SUNDAY # 015 (march 11th 2012)
Aphorisms from 1999 and 2011, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2012
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Everybody is an artist but only the artist knows it. (© pierre bismuth 1999)
Technological development is for the time being mankind’s only future (© pierre bismuth 2011)
ROBERT BARRY
SUNDAY # 016 (may 12th 2012)
Something that is.................., offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2012
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SOMETHING THAT IS HARDLY ANYTHING AT ALL
ANRI SALA
SUNDAY # 017 (september 9th)
CLØCKS, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
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GABRIEL KURI
SUNDAY # 018 (november 4th 2012)
Untitled (All knowledge resolves itself into probability), offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm.) folded to A4 (29.7 x 21 cm.), edition 100, signed and numbered, 2010
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LEONOR ANTUNES
SUNDAY # 019 (25 november 2011)
Untitled, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
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MANFRED PERNICE
SUNDAY # 020 (january 20th 2013)
Tapir, 2 green stamps on offset print, on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2012
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KIRSTEN PIEROTH
SUNDAY # 021 (february 24th 2013)
Untitled (Eggs), offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2013
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Coronation
Egg, made for Nicholas II, C. ;Fabergé’s firm, 1897
Aqua Liquid Egg Clock, China, early 2000s
Oval picture frame, France, 1900s
Anonymous egg drawing
Magazine advert for Chase Manhattan Bank, 1959
Mosaic Egg, C. Fabergé’s firm, 1914
Advert for I. Miller shoe company, Andy ;Warhol, late 1950s
Unknown source
Cockerel Egg, C. Fabergé’s firm, 1900
Unknown source
Renaissance Egg and Resurrection Egg, C. ;Fabergé’s firm, 1894
Anonymous egg drawing
Design for Cybertecture Egg, office building in Mumbai, James Law, 2008
Nécessaire Egg, C. Fabergé’s firm, 1889
Eggs, photograph, Andy Warhol, 1982
Magic Hatching Dinosaur Egg, China, 2000s
Spatial Construction No.12, Alexander Rodchenko, c.1920
Roy Chapman Andrews and George Olsen unearthing dinosaur eggs, c.1923
Egg crate, 1960s
CLAIRE FONTAINE
SUNDAY # 022 (march 22nd 2013)
The House of Energetic Culture (Pripyat, December 1985), offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches, edition 100, signed and numbered, 2013
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"For the attention of the residents
of Pripyat!
The City Council informs you that due to
the accident at Chernobyl Power Station in the city of Pripyat the radioactive
conditions in the vicinity are deteriorating. The Communist Party, its officials
and the armed forces are taking necessary steps to combat this. Nevertheless,
with the view to keep people as safe and healthy as possible, the children being
top priority, we need to temporarily evacuate the citizens to the nearest towns
of Kiev Oblast. For these reasons, starting from April 27, 1986 at 2 p.m. each
apartment block will be able to have a bus at its disposal, supervised by the
police and the city officials. It is highly advisable to take your documents,
some vital personal belongings and a certain amount of food, just in case, with
you. The senior executives of public and industrial facilities of the city has
decided on the list of employees needed to stay in Pripyat to maintain these
facilities in a good working order. All the houses will be guarded by the police
during the evacuation period. Comrades, leaving your residences temporarily
please make sure you have turned off the lights, electrical equipment and water
off and shut the windows. Please keep calm and orderly in the process of this
short-term evacuation."
Evacuation notice, April 27, 1986
STEFAN BRUGGEMANN
SUNDAY # 023 (may 19th 2013)
THIS WORK IS REALIZED WHEN IT IS BURNED, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2013
please contact gallery for price
RYAN GANDER
SUNDAY # 024 (june 6th 2013)
Unfortunately that street is in 1983 and blocked off by police tape, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
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On front text FIRSTNESS, SECONDNESS AND THIRDNESS.
On back side instruction to install the work:
Using a plant spray, fully saturate the sheet evenly and allow to dry horizonally on a clean white towel.
The sheet should be wrinkled representing a ‘look’ akin to water damage. Repeat the saturation and drying process until the ‘look’ is achieved.
Then afix the sheet to the wall using black gaffa tape strips right across the top and the bottom of the sheet.
The work should be exhibited with this side to the wall.
CLAUDE CLOSKY
SUNDAY # 025 (september 2013)
2 Constellations, double sided offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2013
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TRIS VONNA-MICHELL
SUNDAY #26 (november 17th 2013)
Obscolescence,
2 colour offset print on multi-offset, 120 grams, in a brown envelope, A1 (59.4 x 84.1
cm. /23.4 x 33.1 inches), folded
to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition of 100, signed and numbered
colophon page, 2013
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CORY ARCANGEL
SUNDAY # 027 (january 26th 2014)
NR ( ), offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
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MICHEL FRANCOIS
SUNDAY # 028 (march 7th 2014)
Plié, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014
please contact gallery for price
KARL HOLMQVIST
SUNDAY # 029 (april 9th 2014)
Family Day At The Factory; Gay Kid Visits His Father’s Workplace, 1972, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014
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WALID RAAD (the Atlas Group)
SUNDAY # 030 (june 16th 2014)
Translator’s Introduction, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014
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I was recently taken aback by how most paintings on display in the Arab Museum of Modern Art in Doha lack some (but not all) reflections and shadows.
I decided to provide some. I am hoping that the reflections and shadows in my photographs will eventually leave my works and attach themselves to the paintings in the museum.
THEA DJORDJADZE
SUNDAY # 031 (august 2014)
Untitled, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014
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THOMAS BAYRLE
SUNDAY # 032 (october 5th 2014)
Happy days are here again, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014
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JASON DODGE
SUNDAY # 033 (december 28th 2014)
A moon calender for 2015, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014
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JOHANNES WOHNSEIFER
SUNDAY # 034 (february 22nd 2015)
Between Your Legs, duotone offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2015
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YANN SÉRANDOUR
SUNDAY # 035 (april 10th 2015)
Barrel Shaped Cactus With Flower, A1 double sided offset print folded to A4 booklet bound together with yellow elastic band, unfolded 59.4 x 84.1 cm. /23.2 x 33.1 inches, folded 29.7 x 21 cm. /11.7 x 8.3 inches, edition 100, signed and numbered inside the booklet, 2015
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OLAF BREUNING
SUNDAY # 036 (june 26th 2015)
don't worry, duotone offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2015
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SYLVIE FLEURY
SUNDAY # 037 (october 18th 2015)
Life
Can Get Heavy Mascara Shouldn't, 3 colour offset print on multi-offset 120
grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1
inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and
numbered, 2015
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THOMAS HIRSCHHORN
SUNDAY # 038 (january
7th 2016)
Un-Shared Authorship, 2 layer offset print, A1 (59.4 x 84.1 cm.
/23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition
100, signed and numbered, 2009
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WILLEM DE ROOIJ
SUNDAY #
039 (february 27th 2016)
Michelle
Obama (*), offset
print on multi-offet, 120 grams, A2 (42 x 59.4 cm. /16.5 x 23.4 inches) folded
to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and
numbered, 2015
(*)
image: Official portrait of First Lady Michelle Obama, 2013. Photo by Chuck
Kennedy.
please
contact gallery for price
OLAF NICOLAI
SUNDAY # 40 (june 16th 2016)
Planetarium, one sided black
silhouette paper, 80 grams, perforated by hand (23 holes), A1 ( x 84.1 x 59.4
cm. / 33.1 x 23.4 inches) folded
to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, each copy unique, signed
and numbered, 2016
please contact gallery for price
KATINKA BOCK
SUNDAY # 41 (october 14th 2016)
Between arrival and departure, double sided offset print on multi-offset 120 gr., A1 (x 84.1 x 59.4 cm. /33.1 x 23.4 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, each copy unique, signed and numbered, 2016
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PABO BRONSTEIN
SUNDAY # 42 (november 27th 2016)
Design for Urns in the Crypto-Fascist Taste, double sided offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2016
please contact gallery for price
___________________________________________
SUNDAY is an editorial project published on a bi-monthly basis. A standard format was developed specifically for this project, in which an artist is invited to conduct an intervention, re-think a work, or make an adaptation.
SUNDAY is a cross between a publication, an artist’s edition, a multiple, and an exhibition.
A foldable exhibition platform, a poster-like monograph, an artwork edition, .........
An A1-size poster folded to A4 size, a colophon, bundled in an envelope.
_____________________________________________
HORS SERIES
KOEN DEDOBBELEER
Hors série # 02
still in progress
SYLVIE EYBERG
Hors série # 03 (25/09/2011)
Tasloco, silkscreen (red/pink/grey) on Symbio Mat Coated 120 grams, a selection from a series of large silkscreen prints 200 x 150 cm. /78.7 x 59.1 inches, made in 2003, were cut to 4 equal parts of 100 x 75 cm. /39.4 x 29.5 inches. The total edition consist of 40 (+ 4 A.P.) unique silkscreen-prints. Each print is folded by hand to 25 x 37 cm. /9.8 x 14.6 inches, and presented in a stamped, signed and numbered envelope, 2011
please contact gallery for price
JACQUES ANDRÉ
Hors série # 04 (version #1 with black & white pins Cleaver For President) (october 2011)
Cleaver for President, photocopy with 3 original politcal pins Cleaver For President (1968), 50 x 60 cm., edition 13 (5 black and white / 8 black and gold), signed and numbered, 2011
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JACQUES ANDRÉ
Hors série # 04 (version #2 with black & gold pins Cleaver For President) (october 2011)
Cleaver for President, photocopy with 3 original politcal pins Cleaver For President (1968), 50 x 60 cm., edition 13 (5 black and white / 8 black and gold), signed and numbered, 2011
please contact gallery for price
DORA GARCIA
Hors série # 06 (december 8th 2011)
What a fucking wonderful audience, offset print on Opale Pure White 120 grams, 60 x 42 cm. (A2) /23.6 x 16.5 inches, folded to 15 x 21 cm. (A1) /5.9 x 8.3 inches, edition 25, signed and numbered, 2011
please contact gallery for price
KOEN DEDOBBELEER
Hors serie # 07 (december 8th 2011)
A homemade plan, papercut, 17 x 10.5 cm., signed and numbered colophon, 2 nails, printed envelope, signed and numbered edition of 25, 2011
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STEVE VAN DEN BOSCH
to
From, from To, blank
postcard in envelope lined with blue carbon paper, 19.5 x 13.5 cm /7.7 x 5.3
inches, signed and numbered endless edition, 2012
A blank card is sent in a closed
envelope lined with carbon paper. Each edition is sent personally by the artist,
numbered and written by hand.
The received card echoes the
information and other traces made on the envelope it was enclosed in,
‘compressing’ the trajectory between sender -the artist- and receiver.
please contact gallery for price
ALLEN RUPPERSBERG
Hors série # 013 (may 5th 2012)
The rise and fall of L.A., transparent 7’’ flexidisc (containing Randy Newman’s ‘I Love L.A.’, recorded backwards.), 45 rpm., full colour sleeve 18.5 x 18.5 cm./ 7.3 x 7.3 inches, edition 30, signed and numbered, 2012
please contact gallery for price
JONATHAN MONK
Hors série # 016
Push or Pull ?, object, 2 DiamondPlate™ Anodized Aluminum Door Signs on transparent perspex, 30 x 20 x 0.8 cm. 11.8 x 7.9 x 0.3 inches, edition 20, signed and numbered on certificate, 2012
please contact gallery for price
MANUEL BURGENER
Hors série # 017 (january 19th 2013)
Untitled (A4), object/sculpture, a handmade framework in which an A4 glass plate is clamped between 2 metal clamps. The glass plate is such confirmed that it crossed under diagonally. The framework is a 3 dimensional object/sculpture who plays with reflection and transparency, edition 10, signed and numbered on certificatecard, 2013. Presented in a by Manuel Burgener designed sculpture/multiple ransport-box. On one hand to send the work to store and, in a second phase as pedestal on which the edition can be presented.
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ALEXANDRA LEYKAUF
Hors série # 018 (january 19th 2013)
Spanische Wand / Katoptrische Experimente, 2 folded offset prints on Carta Integra 235 grs., (Katoptrische Experimente 21 x 23.2 cm. /8.3 x 9.1 inches, Spanische Wand 21 x 38 cm. /8.3 x 15 inches), edition 70, with signed and numbered certificate, prints housed in black folder, 2013
please contact gallery for price
VAAST COLSON
Hors série # 019 (march 2013)
Quests Objects, steel sculpture with wax candle + handmade rubbing on Claire Fontaine, steel sculpture 45 x 45 x 30 cm. /17.7 x 17.7 x 11.8 inches, handmade rubbing A2 format 42 x 59.4 cm. /16.5 x 23.4 inches, 75 grams, edition 10, signed and numbered, 2013
please contact gallery for price
Quest Object sculpture with candle detailed view of candle. Background: A2 rubbing.
candle installation View
Quest Object
consists of a sculpture/candlestick that holds a candle in the shape of the
artist’s head. The steel candle stick is spray painted in gray high gloss
lacquer.
Quest object is accompanied by a A2 rubbing. The rubbing shows a figure/knight (Widu
Gasti) holding two candles. A figure/selfportrait that occurs in several
works by Vaast Colson. The figure appears through its black background.
Seemingly lit up by the candles the figure is holding.
The signed and numbered rubbing (edition of 10) is stored in the diagonal tube that holds the candle.
Simular to the drawing, the actual candle functions as an object to enlighten its close environment. To light up the drawing that can be installed alongside the sculpture.
An object to be used when one is in search of - a a quest object.
GERLACH & KOOP
Hors série # 023 (june 25th 2013)
Nought as Object, multiple, belt, tie-wrap, app. 20 x 15 x 5 cm., edition 8, with signed and numbered certificate, 2013
please contact gallery for price
installation view
ROBERT BARRY
Hors série # 025 (august 22nd 2013)
UNTITLED, digital print on 100 % silk, 65 x 90 cm., edition 12, signed and numbered edition, 2013
please contact gallery for price
INAKI BONILLAS
Hors série # 026 (september 2013)
Interiors, 19 offset prints inserted in booklet, printed on Soporset 60 gr., size booklet 12 x 16 cm. /4.7 x 6.3 inches, size prints 7 x 11 cm. /2.8 x 4.3 inches, edition 25, signed and numbered, 2013
please contact gallery for price
WOBBE MICHA
Hors série # 027 (december 2013)
An unknown man holds a porcelain plate and a pale pink newspaper in his hands likely retrieved during an investigation into their coherence, handmade glazed porcelain plate (diameter 19.5 cm. /7.7 inches), wrapped in offset print on Munken Print White 1.5 (60 x 46 cm. /23.6 x 18.1 inches, edition 16, signed and numbered, 2013
please contact gallery for price
PRATCHAYA PHINTHONG
Hors série # 029 (april 2014)
Untitled (Self Portrait), screenprint, 130 x 86 cm. /51.2 x 33.9 inches, edition 10, signed and numbered, 2014
please contact gallery for price
in plexibox
CHRISTOPHE TERLINDEN
Hors série # 030 (march 2014)
EXTRAGRAMMBALL, object, crumpled digital
print (84 x 59.4 cm.), stored in plastic ball (ø 10 cm.), edition of 10,
signed and numbered, each unique, 2014
please contact gallery for price
JASON DODGE
Hors série # 032 (march 2014)
Electricity, object, black and white feather, edition 30 (20 black feathers and 10 white feathers), signed and numbered on certificate, 2014
The feather is to be stuck in an existing electric socket. Presented in a cupboard box.
please contact gallery for price
VALERIE SNOBECK
Hors série # 033 (may 2014)
How to write, hand coloured ostrich egg, permanent marker, plastic, hand coloured wooden base, edition 10 (each copy unique), signed and numbered, 2014
please contact gallery for price
MANUEL
BURGENER
Hors
série # 034 (may 2014)
Untitled
(A1 for sunday), object, wood, glass, harware, 99.5 x 75 x 12.5 cm., edition
6, signed and numbered, 2014
Produced
in Bern (CH)
please contact gallery for price
with the LIAM GILLICK sunday edition
detail
INAKI BONILLAS
Hors séries # 036 (september 2014)
Interiors (second edition), 19 offset prints inserted in booklet and an additional digital photo print, printed on Soporset 60 gr., size booklet 12 x 16 cm. /4.7 x 6.3 inches, size prints 7 x 11 cm. /2.8 x 4.3 inches, edition 25, signed and numbered, 2014
please contact gallery for price
JOCHEN LEMPERT
Hors série # 37 (october 2014)
Godwits, offset print on Soporset paper, 250 grams, folded 13.3 x 30 cm., unfolded 13.3 x 80 cm., unfolded and standing (like a sculpture) app. 13.3 x 10 x 60 cm., edition 40, signed and numbered, 2014
please contact gallery for price
YANN SÉRANDOUR
Hors série # 39
(november 2014)
Barrel Shaped Cactus (Without Flower), black laser print on one of the 16 yellowed blank end pages, torn
out from one of the 4065 copies of COLORED PEOPLE, published by Ed
Ruscha, Los Angeles, 1972, 18 x 14 cm. /7.1 x 5.5 inches, edition 12, signed and numbered,
2014. Presented in an archival polyester envelope, cardboard, elastic band.
please contact gallery for price
YANN SÉRANDOUR
Hors série # 39 bis
(may 2015)
RUSCHA, Edward. COLORED PEOPLE (Los Angeles), Edw. Ruscha, 1972, artists' book with original wrappers*, with 15 colour photographs (1 double-page), 64 (of which 46 blank) pages.
*1st edition, published in 4065 copies. Missing 32 blank end pages, torn out to print the hors-série # 39 Barrel Shaped Cactus (Without Flower), otherwise in very good condition, Edw. Ruscha Editions 1959-1999, B16. 18 x 14 x 0.6 cm., archival polyester envelope, acid-free mounting board, elastic band, signed and numbered edition of 1, 2015
please contact gallery for price
JOS DE GRUYTER & HARALD THYS
Hors série # 40
(december
2014)
White Element, object/sculpture, welded steel sculpture painted with white satin lacquer, 40 x 13 x 13 cm. + 2 unique drawings, each 4.5 x 5.5 cm., edition 20, signed and numbered, 2014
please contact gallery for price
FRANCOIS CURLET
Hors série # 41
(december
2014)
Set of 4 Durbor Gaetan
beer glasses (32 cl), custom printed beer mat, 19.5 x 19.5 cm., silkscreen print
on 1,5 mm. wood pulp board, edition 25, signed and numbered, 2014
please contact gallery for price
JONATHAN
MONK
Hors
série # 43 (january 2015)
a copy of Richard Hamilton Whitley Bay, 1965/2015
Subscribers
will receive 12 postcards / one per month. The actual postcards will be sent
then from Whitley Bay. The edition consists of 40 signed and numbered sets.
One year subscription:
please contact gallery for
price
Jonathan Monk's edition project consists of a series of 12 postcards, sent on a monthly basis over the 12 months of 2015. The first card is titled ‘A copy of Richard Hamilton Whitley Bay, 1965’. The following card then is titled ‘Another copy of Richard Hamilton Whitley Bay 1965’, and so on.
Every month, a new reproduction will be added. The first card (to be send by the end of January) shows a reproduction of the original card by Hamilton. The reproduction was made through an analogue photo technique- by use of a traditional medium format camera. The transparency that was made with this camera served as the basis for the first postcard.
Though, by the use of offset printing, each time
the card is reproduced there is a 3 mm bleed (printer's boarder cropping)
that will disappear. By repeating this process 12 times, each reproduction
of the previous card will be more and more in close up.
GUILLAUME
BIJL
Hors
série # 44
(january 2015)
Sorry Multiple, several objects made by ceramic, polyester, glass and plastic, 2 champagne glasses, coffee cup, ice cream dessert and small chocolate pastry, transparent perspex pedestal 15 x 10 x 10 cm. /5.9 x 3.9 x 3.9 inches, green silk covered mdf wood plate 0.6 x 34.7 x 34.7 cm. /0.2 x 13.7 x 13.7 inches, edition 12, signed and numbered, 2015
please contact gallery for price
ALEXANDRA LEYKAUF
Hors
série # 045 (april 27th 2015)
The
Serial Universe, booklet composed of digital print (reproduction of Gilles
Van Coninxloo, Forest Landscape, 1598), 71.5 x 107 cm. /inches, folded to 23.8 x
17.8 cm. /inches, containing 4 double sided reproductions of book covers (J.B.
Priestley, I have been here before), each print 22.8 x 34.5 cm, folded to 22.8 x
17.25 cm. /inches, edition 25, signed and numbered, 2015
please contact gallery for price
KOENRAAD DEDOBBELEER
Hors
série # 048 (april 2015)
A Participation Implied by the Elipses in the Program, 4 colour silkscreen print on CMAT, 150 gr. 170 x 120
cm. /66.9 x 47.2 inches, edition 20, signed and numbered, 2015
please contact gallery for price
KATINKA BOCK
Hors
série # 049 (april 2015)
April sculpture (april 2015), 1 of 6 ceramic sculptures with blue paint, aprox. 22 x 22 x 22 cm. /8.7 x 8.7 x 8.7 inches, monotype print 50 x 65 cm. /19.7 x 25.6 inches, signed and numbered edition of 5 (+ 1 A.P.), each unique, 2015
SOLD OUT
MATHIEU MERCIER
Hors
série # 50 (may 2015)
Dé,
modified reflective road sign, Ø 40 cm. /15.7 inches, edition 24, signed and
numbered, 2015
please contact gallery for price
Hors
série # 52 (may 2015)
CLAUDE
CLOSKY
+ jich, offset print on multi-offset, 120 gr., 82.4 x 58.6 cm. /32.4 x 23.1 inches (20.6 x 29.3 cm. /8.1 x 11.5 inches missing), folded to 20.6 x 29.3 cm. /8.1 x 11.5 inches, edition 40, signed and numbered, 2015
please contact gallery for price
Hors série # 54 (july 2015)
PAVEL BUCHLER
Revolution of the Nineteenth Century, double sided letterpress print on woodstock bianco, 140 gr., 95.5 x 51.5 cm. /37.4 x 20.3 inches, edition 26, signed and numbered, 2012 - 2015
please contact gallery for price
The edition is
produced by using a complete set (100 pieces) letterpress wood type. The
relative number of the letters in the set is based on the calculations of letter
frequency by Samuel Morse, the inventor of Morse code. The
text comes from Karl Marx, The 18th Brumaire of Louis Bonaparte:
'The social revolution of the nineteenth century cannot derive its poetry from
the past, but only from the future. It cannot begin with itself, before it has
shed all superstitious belief in the past. Earlier revolutions needed to
remember previous moments in world history in order to numb themselves with
regard to their own content. The revolution of the nineteenth century must let
the dead bury the dead in order to arrive at its own content. There, the phrase
exceeded the content. Here, the content exceeds the phrase.'
Hors série # 55 (september 2015)
JEAN-PASCAL FLAVIEN
statement house (temporary title), soundwork on cd (15'18''), 7'' offset printed record sleeve, set of 11 offset printed business cards (each 8.5 x 5.4 cm. /3.3 x 2.1 inches), edition 40, signed and numbered, 2015
please contact gallery for price
VAAST COLSON
Hors-série
# 56 (september 2015)
SIZING & RESIZING - All sound intentions and then the mushroom kicks in, wall work, black vinyl lettering on vinyl transfer paper, dimensions variable, edition 15 (all in a different size), 2015
please contact gallery for price
MICHEL FRANCOIS
Hors série # 57 (september 2015)
Débordement, melted pewter/tin, moulded by hand, sizes vary between 10 and 15 cm. /3.9 x 5.9 inches, edition 30 (each copy unique), signed and numbered, 2015
Works
are to be installed in a corner.
please contact gallery for price
ROSELLA BISCOTTI
Hors série # 58 (september 2015)
Are you bringing animals to the destination?, suite of 4 photographs, digital prints on Fujicolor Christal Archive Paper, paper size 41.7 x 30.4 cm. /inches, image size 30.2 x 20 cm. / inches, edition 20, signed and numbered, 2015
please contact gallery for price
PAVEL BUCHLER
Hors
série # 59 (october 2015)
The Venice Biennale 10th Anniversary, offset print on sugar paper, 34 x 45 cm. / inches, edition 10, signed and numbered, 2005-2015*
please contact gallery for price
* Leftover table mats from Pavel Büchler's The Venice Biennale, a project for the 9th International Istanbul Biennial in 2005.
The Venice Biennale was a re-branded fully licensed bar trading under the same name, for the duration of the Istanbul Biennial, 2005.
TRIS VONNA-MICHELL
Hors
série # 60 (november 2015)
Scores
(Japan), 19 c-prints, each 10 x 15 cm. /3.9 x 5.9 inches, mounted on
Heritage Photocraft Paper, 350 grams, 192.5 x 25 cm. /75.6 x 9.8 inches,
folded to 17.5 x 25 cm. /6.9 x 9.8 inches (11 parts), edition 12, signed and
numbered, 2015
please contact gallery for price
NICK OBERTHALER
Hors série
# 61 (november 2015)
Untitled
(butterflies/distinct oscillations), polaroid, 1-k glue and acrylic glass on
wooden support, approx. 20 x 30 cm.series of 8 unique copies, signed and
numbered, 2015
please contact gallery for price
RAPHAËL VAN LERBERGHE
Hors série
# 63 (december 2015)
Cravate,
modified MDF backside of A4 photo frame, 21 x 42 x 0.7 cm. /8.3 x 16.5 x 0.3
inches, edition 20, signed and numbered, 2015
please contact gallery for price
LIAM GILLICK
Hors
série # 66 (january 2016)
PART 1
Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + You can call it wallpapering for, but .........., silkscreen print on steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016
please contact gallery for price
LIAM GILLICK
Hors
série # 66 (march 2016)
PART 2
Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + Fog Wallpaperer Wanted. No Experience Necessary, silkscreen print on Steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016
please contact gallery for price
LIAM GILLICK
Hors
série # 66 (may 2016)
PART 3
Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + Dear Editor, silkscreen print on Steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016
please contact gallery for price
LIAM GILLICK
Hors
série # 66 (july 2016)
PART 4
Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + To-don't List, silkscreen print on Steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016
please contact gallery for price
LIAM GILLICK
Hors
série # 66 (september 2016)
PART 5
Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + Forget about the ball, silkscreen print on Steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016
please contact gallery for price
GERLACH & KOOP
Hors série # 67 (june 25th 2016)
On Sundays, at five o'clock, at the exit door of the Louvre, double sided digital print, 84 x 29.7 cm. folded to A4, edition 6* / edition 20*, signed and numbered, 2016
for the numbers 1/26 - 6/26 (including oak wood base) please contact gallery for price
for the numbers numbers 7/26 - 26/26 please contact gallery for price
* numbers 1-6 are accompanied by an oak-wood replica of the base
JASON DODGE
Hors série #
68 (february 2016)
What
the living do, collection of found shopping lists, wrapped in yellow silk
paper, various sizes, edition 25 (unique works), signed and numbered 2016
please contact gallery for price
CLAUDE CLOSKY
Hors série #
69 (february 2016)
F,
offset
print on multi-offet, 120 grams, A2
(42 x 59.4 cm. /16.5 x 23.4 inches) folded to A3 (29.7 x 42 cm. /11.7 x 16.5
inches)
please contact gallery for price
JOHANNES WOHNSEIFER
Hors-série # 70 (march 2016)
Colors in corners, acrylox
19 mm lettering with adhesive stries, overall length 100 cm. /39.4 inches,
edition 7, signed and numbered certificate, 2016
Each copy of the edition is unique. The work is to be installed in a corner
("RAL" on the left wall, the reference numbers on right wall). Each
copy is a unique RAL number, produced in the described colour. The
work comes with an instruction manual.
please contact gallery for price
MICHAEL VAN DEN ABEELE
Hors-série # 72 (april 2016)
Roman, object, sculpture, gold enamel, aluminum, concrete, edition 10, each copy unique oil lamp, signed and numbered, 2016
please contact gallery for price
detail
detail
YANN SERANDOUR
Hors-série # 77 (september 2016)
Distorted (essay by Daniel Buren for John Knight’s
exhibition catalog Łeetsoii) – Black set,
foldable beach chair, silkscreen print on 350gr/m cotton beech, wood structure,
4 different designs, each chair edition 2, signed and numbered, 2016
please contact gallery for price
WALID RAAD
Hors-série # 79 (november 2016)
Translator’s Introduction (German edition), recto-verso offset print and laser cut on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2016
please contact gallery for price
Translator’s Introduction (Arabic edition), recto-verso offset print and laser cut on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2016
please contact gallery for price
JONATHAN MONK
Hors-série # 80 (december 2016)
Four Details of a Swimming Costume, set of 4 offset prints on mutli offset 120gr., each 20.7 x 14.6 cm. /8.1 x 5.7 inches, edition 40, signed and numbered, 2016
please contact gallery for price
KATINKA BOCK
Hors-série # 81 (december 2016)
Common Ground, offset print on multi-offset, 120 grams, 29.7 x 42 cm. /11.7 x 8.3 inches, edition 40, signed and numbered, 2016
please contact gallery for price
OLAF NICOLAI
Hors-série # 82 (december 2016)
Luitpold (Für T.), double sided offset print on multi-offset, 120 grams, 42 x 29.7 cm. /16.5 x 11.7 inches folded to 29.7 x 21 cm. /11.7 x 8.3 inches, edition 40, signed and numbered, 2016
please contact gallery for price
LIAM GILICK
Hors-série # 83 (december 2016)
Workplace Aesthetics Might Not Be Enough, CMYK offset print on multi-offset 120 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 40, signed and numbered, 2016
SOLD OUT
detail
CLAUDE CLOSKY
Hors-série #84 (january 2017)
Untitled (in the woods), set of 8 offset printed postcards 1995-2016, edition 80, signed and numbered, 2017
please contact gallery for price
A set of 8 postcards of random pictures of woods, combined with names of areas in Los Angeles : Inglewood, Hollywood Beverlywood, Westwood, Lynwood, Northwood, Maywood and Brentwood.
JIRI KOVANDA
Hors série # 90
(march 2017)
Untitled, unprimed canvas on stretcher, 20 x 20 cm. 7.9 x 7.9 inches, + instructions*, edition 10, signed and numbered, 2017
please contact gallery for price
*Go to the garden, park or forest and collect some needles (spruce, pine, Douglas fir,…). Stick the needles into the unprimed canvas. The number of needles and the composition are to be decided by the owner.
YANN SERANDOUR
Notes of a Painter (Black - Red - Blue - Green), series of silkscreen prints, 4 versions: Black, Red, Blue and Green, each 35 x 50 cm. /19.7 x 13.8 inches, edition 8, each version signed and numbered, 2017
please contact gallery for price
JONATHAN MONK
please contact gallery for price
For an exhibition at Atle Gerhardsen in January of 1996, I proposed that I cut down the Christmas Tree for Trafalgar Square in London for 1995*.
After numerous letters and phone calls it was agreed that I help fell the spruce – following a short journey into the snow covered forest outside of Oslo I was handed a large axe and assigned a very tall tree. To document the outcome of this project I ventured down to London to capture the majesty of this public sculpture. On an extremely cold evening between Christmas and New Year, I stood on the steps of the National Gallery with a borrowed VHS camera (stuck on auto focus), no gloves and cold feet. The resulting video footage was not included in the final exhibition – eighteen years later, this edition, is still the only visible material associated this project.
Jonathan Monk
* the giant Norwegian spruce has been an annual gift to London from the people of Norway since 1947, in recognition of Britain's support during the Second World War.
MANDLA REUTER
Hors-série # 110 (may 2018)
Thasos Snow White, sculpture, object, marble, optical fiber, marble 15 x 11 x 10 cm. /inches, optical fiber 100 cm. /inches, edition 15, signed and numbered, 2018
please contact gallery for price
LOUISE LAWLER
Hors-série # 121 (october 2018)
Pollyanna (adjusted to fit, distorted for the times, more) 2007/2008/2012/2018, digital print on semi-gloss paper, 59.4 x 84 cm. /23.4 x 33.1 inches, edition 30, stamped and hand numbered, 2018
please contact gallery for price
TRIS VONNA MICHELL
Hors-série # 122 (november 2018)
Material Longevities*, CMYK silkscreen print on c- mat, 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 7, signed and numbered, 2018
please contact gallery for price
*The edition was made in conjunction with a series of recent events by Tris Vonna Michell : ‘Material Longevities’ - exhibitions and screenings and a book publication. For every event an additional label with practical information was made and glued on top of the print, then- to be displayed in public, in triangular double sided poster displays.
WILHELM SASNAL
Hors-série # 124 (november 2018)
tick tock (motherfucker), linocut on paper with white borders, paper size 50 x 70 cm. /19.7 x 27.6 inches, image size 48 x 40 cm. /18.9 x 15.7 inches, edition 25, signed and numbered, 2018
please contact gallery for price
ROBERT BARRY
Hors-série # 128 (march 2019)
please contact gallery for price
LIAM GILICK
Hors-série # 129 (may 2019)
Man Made on the Moon, set of 2 prints on backlit film, each 80 x 80 cm. /31.5 x 31.5 inches, edition 10, signed and numbered, 2019
Mounted in light boxes: each 82 x 82 x 15 cm. /32.3 x 32.3 x 5.9 inches
please contact gallery for price
GAILLARD & CLAUDE
Hors-série # 131 (jnue 2019)
CLAUDE CLOSKY
detail
Hors-série # 141 (june 2019)
HYPER POEMS, suite of 4 silkscreen prints, black gloss ink on
150 gr. coated paper, 4 parts, each 50 x 70 cm. / inches, edition
20, signed and numbered, 2019
please
contact gallery for price
PUBLIC POSTER PROGRAMS
Public Poster Program is a one year exhibition program that consists of 12 individual contributions.
Every month of 2016 an artist is invited to develop a work- a large industrial screen printed poster. Over the course of 2016 the posters will be on view, one by one in office like metal and glass vitrines that are installed in public venues. These vitrines function as autonomous exhibition spaces with a regular time-based program.
To take of, there
is a vitrine installed in the front window of MuZEE, Oostend (BE) and in the bar
of MuHKA, Antwerp (BE). Over time more vitrines will be installed in Belgium and
abroad. The program/exhibition will be on view simultaneously, in different
places.
Once the poster-program is completed it can be repeated endlessely, month after
month, year after year
ROBERT BARRY
Public Poster Program # 01 (january 2016)please contact gallery for price
JOACHIM KOESTER with STEFAN A. PEDERSEN
Public
Poster Program # 02 (february 2016)
Department
of Abandoned Futures (please join us in the past that never happened), 2
layer silkscreen print, C-MAT, 150 grams, 68 x 94
cm. /26.8 x 37 inches,
edition
25, signed and numbered, 2016
please contact gallery for price
Public
Poster Program # 03 (march
2016)
Red
Armchair, 2 layer silkscreen print, C-MAT, 150 grams, 68 x 94 cm. /26.8 x 37
inches, edition 25, signed and numbered, 2016
please contact gallery for price
THOMAS BAYRLE
Public Poster Program # 04 (march 2016)
Cowboy Montana Kid (red/blue) - Cowboy Death Valley (black/yellow), 2 colour silkscreen print (iris print) on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016
please contact gallery for price
JONATHAN MONK
Public Poster Program # 5 (may 2016)
the
magnetism of colour, 4 colour silkscreen print, C-MAT, 150 grams, package of
10 coloured magnets, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and
numbered, 2016
please
contact gallery for price
The print is accompanied by a package of 10 colored magnets to hang the print on a metal board. The edition is signed and numbered on a adhesive label, glued on the back of the package of magnets. Once the work is installed the leftover of the package serves as a certificate.
WALID RAAD
Public Poster Program # 06 (june 2016)
Better be watching the clouds, 4 colour silkscreen on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016
please contact gallery for price
ROB PRUITT
Public Poster Program # 07 (june 2016)
SUMMER '16, 5 colour silkscreen on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016
please contact gallery for price
ANRI SALA
Public Poster Program # 08 (august 2016)
Chish & Fips, 2 colour silkscreen on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016
please contact gallery for price
HAIM STEINBACH
Public Poster Program # 09 (september 2016)
Your castle in the sky, black silkscreen on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016
please contact gallery for price
STEFAN BRUGGEMANN
Public Poster Program # 11 (october 2016) THIS WORK IS DESTROYED WHEN YOU STOP LOOKING AT IT AND RESTORED WHEN YOU LOOK AT IT, silkscreen print on C-MAT 150 grams, 68 x 94 cm. /6.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
CLAIRE FONTAINE
Public Poster Program # 12 (december 2016)
Untitled (I can't breathe), 2 colour silkscreen print on C-MAT, 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016
please contact gallery for price
JONAS MEKAS
Public Poster Program # 13 (december 2016)
i wish you a very fine day / Jonas, 2 colour silkscreen print on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
JOHANNES WOHNSEIFER
Public Poster Program II (01 / january 2017)
Fractured Spectrum, CMYK silkscreen print on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
JIMMIE DURHAM
Public Poster Program II (02 / february 2017)
The World, silkscreen on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
RYAN GANDER
Public Poster Program II (03 / march 2017)
*(Ee Ouw Arh ...), 2 layers silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
RIRKRIT TIRAVANIJA
Public Poster Program II (04 / april 2017)
Untitled, 2017 (do we dream under the same sky) (poster)*, set of 3 silkscreen prints on C-MAT 150 gr., each print 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
* each copy of the edition consists of a set of 3 posters- including an English, French and Dutch translation.
WILHELM SASNAL
Public Poster Program II (05 / may 2017)
Poor Spring, silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
MATTHEW BRANNON
Public Poster Program II (06 / june 2017)
Talking While Eating, 4 colour silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
AKRAM ZAATARI
Public Poster Program II (07 / july 2017)
The Third Window, CMYK silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
KENDELL GEERS
Public Poster Program II (08 / september 2017)
Political Abstraction (Isandlwana), 2 color silkscreen print (mat/gloss) on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
SCOTT MYLES
Public Poster Program II (09 / september 2017)
Untitled (MORE), 2 color silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
VAAST COLSON
Public Poster Program II (10 / october 2017)
please contact gallery for price
LIAM GILLICK
Public Poster Program II (11 / october 2017)
Tout va bien, silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
SLAVS AND TATARS
Public Poster Program II (12 / november 2017)
Bicephalic, silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
NEIL BELOUFA
Public Poster Program II (13 / december 2017)
Doing what you like is bad / good, CMYK silkscreen print on C-MAT 150gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
RICHARD PRINCE
Public Poster Program II (14 / october 2017)
Untitled (poster), 2 layers silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016 - 2017
please contact gallery for price
HEIMO ZOBERNIG
Public Poster Program II (15 / november 2017)
Untitled, 2 white layers silkscreen print on CMAT, 150gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
RODNEY GRAHAM
Public Poster Program II (16 / march 2018)
God Bless Tiny Tim*, 2 layers silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2018
please contact gallery for price
*The edition is an hommage to vocalist ‘Tiny Tim’ who took his name from a Charles Dickens’ character (a Christmas Carol)
DOUGLAS GORDON
Public Poster Program II (17 / may 2018)
BLOW-UP (CLOUDS), CMYK silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2018
please contact gallery for price
TOBIAS REHBERGER
Public Poster Program II (18 / june 2018)
For our freedom and yours, CMYK silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2018
please contact gallery for price
SAM DURANT
Public Poster Program II (19 / july 2018)
Bloomberg Businessweek, April 11-17, 2011, CMYK silkscreen print on C-MAT 150 gr., 68 x 94 cm.
/26.8 x 37 inches, edition 25, signed and numbered,
2018
please
contact gallery for price
JEAN-LUC MOULENE
Public Poster Program II (20 / september 2018)
Capsule Hole, CMYK silkscreen print on C-MAT 150 gr., 68 x 94 cm.
/26.8 x 37 inches, edition 25, signed and numbered,
2018
please
contact gallery for price
detail
WALTER SWENNEN
Public Poster Program II (22 /
november 2018)
Avis, silkscreen print on C-MAT 150 gr., 68 x 94 cm.
/26.8 x 37 inches, edition 25, signed and numbered, 2018
please
contact gallery for price
CORY ARCANGEL
Public Poster Program II (december
2018)
Dukes, silkscreen print on C-MAT 150 gr., 68 x 94 cm.
/26.8 x 37 inches, edition 25, signed and numbered, 2018
please
contact gallery for priceee
OLIVIER MOSSET
Public Poster Program II (january
2019)
Untitled (Rain Forest), silkscreen print on C-MAT 150 gr., 68 x 94 cm.
/26.8 x 37 inches, edition 25, signed and numbered,
2019
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GARDAR EIDE EINARSSON
Public Poster Program II (february
2019)
Simple Sabotage, silkscreen print on C-MAT 150 gr., 68 x 94 cm.
/26.8 x 37 inches, edition 25, signed and numbered,
2019
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contact gallery for price
TOM BURR
Public Poster Program II (march
2019)
Put Down, silkscreen print on blueback
paper (printed on a special blueback paper- the blue backing allows direct
glueing to the wall, and to cover surfaces without transparency), 68 x 94 cm.
/26.8 x 37 inches, edition 25, signed and numbered,
2019
please
contact gallery for pricee
PUBLIC POSTER PROGRAMS
Public Poster Program is a one year exhibition program that consists of 12 individual contributions.
Every month of 2016 and 2017 an artist is invited to develop a work- a large industrial screen printed poster. Over the course of 2016 and 2017 the posters will be on view, one by one in office like metal and glass vitrines that are installed in public venues. These vitrines function as autonomous exhibition spaces with a regular time-based program.
To take of, there
is a vitrine installed in the front window of MuZEE, Oostend (BE) and in the bar
of MuHKA, Antwerp (BE). Over time more vitrines will be installed in Belgium and
abroad. The program/exhibition will be on view simultaneously, in different
places.
Once the poster-program is completed it can be repeated endlessely, month after
month, year after year
INSERTS
LIAM GILLICK
INSERTS # 01 (march 22nd 2013)
1820, A4 folder with 8 A4 offset prints, each 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2013
please contact gallery for price
DORA GARCIA
INSERTS # 02 (may 2013)
What is Finnegans Wake About?, A4 folder with 8 A4 offset prints, each individually numbered (Fig.1 - Fig. 8), each offset print 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2013
please contact gallery for price
ROBERT BARRY
INSERTS # 03 (august 22nd 2013)
SOMETHING THAT IS NOT LIKE ANYTHING ELSE..., A4 folder with 8 A4 offset prints, each 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2013
please contact gallery for price
CLAUDE CLOSKY
INSERTS # 04 (september 13th 2013)
Inside the Studio, A4 folder with 8 double sided A4 offset prints, each 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2013
please contact gallery for price
JONATHAN MONK
INSERTS # 05 (november 2013)
Hands Holding Products™, A4 folder with 8 A4 offset prints, each offset print 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2013
please contact gallery for price
recto
verso
JIRI KOVANDA
INSERTS # 06 (january 2014)
Pictures and abbreviations, A4 folder with 8 A4 offset prints, each offset print 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2014
please contact gallery for price
detail
JOACHIM KOESTER
INSERTS # 07 (august 2014)
By a strange prodigy, after a few minutes of contemplation, I would melt into the object gazed at and was myself transformed into that object, A4 folder with 8 A4 offset prints, each offset print 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2014please contact gallery for price
PABLO BRONSTEIN
INSERTS # 08 (november 2014)
The Heavenly Spheres in the style of Nicholas Ledoux, A4 folder
with 8 A4 offset prints, each offset print 21 x 29.7 cm. /8.3 x 11.7 inches,
edition 40, signed and numbered on colophon, 2014
please contact gallery for price
DEIMANTAS NARKEVICIUS
INSERTS # 09 (february 22nd 2015)
Overgrown Lane, A4 folder with 8 double sided A4 offset prints, each 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2013
please contact gallery for price
front side
back side
detail
AA BRONSON
INSERTS # 10 (april 10th 2015)
Mark, December 24, 2014, A4 folder with 8 duotone (black & silver) offset prints, each 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2015
please contact gallery for price
MARIJKE VAN WARMERDAM
INSERTS # 11 (may 27th 2015)
Ten times cheers, set of 10 duotone offset prints, each print 20.4 x 29.1 cm. /8.3 x 11.7 inches, edition 40, signed and numbered, 2015
please contact gallery for price
CLAIRE FONTAINE
Untitled (refugees), set of 8 double sided offset prints on multi-offset 120 grams, each print 20.4 x 29.1 cm. /8.3 x 11.7 inches, edition 40, signed and numbered, 2015
please contact gallery for price
JOSEPH GRIGELY
Conversations with Ellen*, 8 offset prints on multi-offset, 120 gr., each print 20.4 x 29.1 cm. /8 x 11.5 inches, edition 40, signed and numbered, 2016
The prints can be hung on the wall with small transparent map pins.
*the edition is made after a selection of notes from a conversation between Joseph Grigely and Ellen Cantor (1961 -2013)
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YANN SERANDOUR
exhibition copy # 6
Cactus for the amateur
Photocopy
29.7 x 21 cm.
(With the support of CNEAI, Chatou, Paris (FR)
Endless edition, 2013
Cacti for the amateur
Silkscreen print on bristol 250 grams, 42 x 59.4 cm.
Produced by MOREpublishers, Brussels, 2014
Signed and numbered edition of 10 (+ 4 A.P)
please contact gallery for price
Exhibition copy is composed of a standard format. An A4 photocopy accompanied by an A2 silkscreen print.
The A2 being an enlargment of the A4 print. Or, a reflection on how the enlargment can add something, twist, or create a shift.
The editions are produced on the occasion of exhibitions and/or presentations.
During these public events the A4 photocopies are distributed to the visitors.
The A4 prints are presented alongside the A2 silkscreen prints.
The term ‘Exhibition Copy’ is refering to the use of copies of works (printed matter, video works, etc) without value. To be used in exhibitions or demonstrations only.
The A4 photocopy has the colophon printed on the backside.
‘Exhibition copy’ is published in an edition of 10 (+ 4 A.P.), signed and numbered.
People are invited to continue the photocopy and distribution process endlessly.
Postal Service Series #1
ROBERT BARRY
Nowhere, offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017
please contact gallery for price
Postal Service Series #2
JOCHEN LEMPERT
Untitled (Hare), offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017
please contact gallery for price
Postal Service Series #3
KARL HOLMQVIST
Men's shoes, offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017
please contact gallery for price
Postal Service Series #4
MARTHA ROSLER
Untitled (Postcard), offset print on Invercote 300 gr., 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017
please contact gallery for price
JASON DODGE
Postal Service Series #5
Untitled (double addressed big size postcard (one address is that of the purchaser, the other of the publisher), offset print on Invercote 300 gr., 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017
please contact gallery for price
JOACHIM KOESTER
Postal Service Series #6
The place of Dead Roads (*), offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017
please contact gallery for price
(*) Every muscular contraction contains the history of its origin (Wilhelm Reich)
URI ARAN
Postal Service Series #7
Time For An Early Mark, offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017
please contact gallery for price
JONATHAN MONK
Postal Service Series #8
Untitled (postcard), blue stamp on postcard (14.8 x 10.5 cm. /5.8 x 4.3 inches) glued on A3 Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, each copy assembled by hand, edition 25, signed and numbered , edition 25, signed and numbered, 2017
please contact gallery for price
MELIK OHANIAN
Postal Service Series #9
Datcha Project, Zone of No Production, since 2005 - Index # 001 (2008-2017), offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017
please contact gallery for price
MANDLA REUTER
Postal Service Series #10
WASSER, offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017
please contact gallery for price
Postal
service series consists of a standard postcard in A6 format printed in 100
copies, sent to a mailing list of the artist, as an edition distributed for
free.
Besides, an enlarged version of the same postcard is released in an edition of
25 + 5 A.P as the collector's edition.
The postcard version functions as an autonomous work as well as the annoucement
for the collector's edition.
BETHAN HUWS
Postal Service Series #11
The sound of rain, offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017
please contact gallery for price
Sunday editions, Hors séries, Inserts, Exhibitions copies and Postal Service Series are published by MOREpublishers. Courtesy MOREpublishers and the artists.